Communications messaging is different than what we need in order to win hearts. Weird things about the name Favianna: The name spelled backwards is Annaivaf. I’ve done tons of those workshops, and wherever I go the old ladies, the moms, the kids, they come and they’re just painting their butterflies, so immersed in it. President Trump has not commented on the flavor. And what does art have to do with it? In a way, you’re answering the question that I wanted to move to next, which is: How do you think social change happens? Like, what are we really talking about here? I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. It’s important that we create objects that people can attach themselves to. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? FR: I think that art is the language of possibility. Who is the Oakland artist behind Ben and…, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window), Map: PG&E power outages across Bay Area amid high winds, Oakland artist Favianna Rodriguez is the face behind Ben and Jerry’s new anti-Trump pint, Ben & Jerry’s unveils new flavor for midterm elections, What flavor is this California candidate? I mean you’ve done a lot of successful projects right? People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. She got her start in journalism in the California desert, where she covered the marginalized immigrant communities of the eastern Coachella Valley. Right. The image is not just the monarch, it actually has two faces in it, which added to this sort of blending of humans and the natural world. I created an exercise with my organization, CultureStrike, where we had videos on how you can cut out your own wings. And those beliefs first have to change before someone is willing to vote on it. So that’s one thing. I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. Even in how were designing things, and how we’re meeting and how we’re discussing, everything is done through the modalities of artistic practice. And that is what art is to me. And I think that’s a huge mistake, because cultural change precedes political change. What is the narrative? Favianna Rodriguez. So we also need the artists who don’t have the experience to actually go to the impacted places and see for themselves, but also listen to local people. You know it’s one of my all-time favorite sort of symbols, campaigns, so on and so forth. In order to shift that, people need to see it — they actually need to see it. So we also need the artists who don’t have the experience to actually go to the impacted places and see for themselves, but also listen to local people. FR: Yes, I also think that I wanted for people to have fun with it. FR: Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. And the third thing I look at is, artistically, what was the experience for the artist? Because I feel that often a lot of our messaging is a fighting message. For example, right now we’re in a #MeToo wave. Our movement, overwhelmingly pain-oriented, and a lot of the ways that we activate are not around comedy, they’re not around joy. And it’s also more systemic. Her forms include visual art, public art, writing, cultural organizing and … So, as a woman of color I make art because I don’t see my existence reflected back to me in mainstream culture, I see whiteness reflected back to me. She's based in San Jose. And culture has to change before policy does, in fact policy is like the final manifestation of an idea. She has self-identified as queer and Latina with Afro-Peruvian roots. FR: Yes, culture is a set of behaviors and ideas and beliefs. Saved by Timothy Turner. Can you explain that a bit? the president of The Center for Cultural Power, a women-led nonprofit that So I think that the creation of art simply as a gesture of contemplation and also the activities that people get to do, is also part of it. We always support emerging artists. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. You facilitated using your skills in order to make it look nicer, make it more accessible to people. The answers I glimpsed through online were positively surprising. So I always have believed in the compelling nature of being able to create things that are a reflection of you, because that’s what we long for as human beings. So much of my time is actually understanding what solutions are being proposed. Mar 16, 2015 - Artist, Favianna Rodriguez, completed an art installation about her connection to her the community she grew up in - Oakland's San Antonio and Fruitvale districts. It’s not just rational knowledge, its emotional knowledge. I wanted to ask you about the “Migration is Beautiful” monarch butterfly. So, that’s something that I did differently that I actually think led to the mass appeal of it, because it was a very open invitation and it was an affirmative message, it was a positive message. And so, when I created Migration Is Beautiful, it was about making a statement that we are a part of nature; we migrate. Art is about myth-making. Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. Because policy is a manifestation of culture. In order to win, we need to have a vision of where we’re going. Nice, that’s great. That to me is what needs to happen more. And what I wanted to do is frame it through the lens of nature, and not acknowledge or give importance to the border and the wall, because it’s a man made concept, versus that it’s a nature concept. you have a good project, if some of these issues are not in the news cycle it might get picked up by some random art people but it doesn’t really move in the way that it needs to move. Favianna Rodriguez is an interdisciplinary contemporary artist, cultural strategist, and social justice activist on a mission to create profound and lasting social change in the world. What flavor is this California candidate? And that’s what we do. Once you learn the sort of ebbs and flows of it, it allows you to go it at the right time, and to actually ride that wave. Latino bilingual news paper serving the community in the silicon valley in the Santa Clara county This print edition honors birth and death, and how these two incidents create the cycle of all life on our planet. Many artists are not always thinking about timing. In order for people to transition off of oil, they first have to be able to imagine what their life can be like — they have to almost unlearn some things. And it’s also more systemic. And how did you know that it didn’t work? “I wanted it to be fantastical and attractive to youth and show people of color that they can express themselves.”, The pint shows three people of color standing shoulder-to-shoulder but facing in different directions. The timing of it wasn’t right. All Access Digital offer for just 99 cents! First, I look at what the impact on the people who experienced the art was. They’ve created a narrative. It's geared towards the people who program and fund the arts. They never seen this wall, and they realized that it’s such a fabrication. Human beings have always expressed themselves through two key things: They’ve attempted to understand the world through science and through art. But a lot of times, the fossil fuel industry has told us that we need oil, oil is a sign of progress. Art is about myth-making. Black History Quotes Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding And I think that in the social justice world, we have overwhelmingly concentrated our efforts on policy change. She is also the co-founder and president of Tumis , a bilingual design studio serving social justice organizations. It’s like they’re spectators, they’re not participants. I mean there’s just a lot of ways for it to be interpreted. Oakland artist Favianna Rodriguez is ... - The Mercury News Because sometimes we also host, it’s not just the creation of an object, it’s a show or it’s a film. It was around: How do we make this image? You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? Because even though it sounds easy, it’s actually not easy. I’ve also taught art workshops, where I know that a lot of the kids who won’t go to math class will go to art class. So that’s one thing. Here, Rodriguez discusses the power of art to open our minds. I also created make-your-own butterfly kits. And I knew it didn’t work because it wasn’t shared. And I knew it didn’t work because it wasn’t shared. Favianna leads art interventions around the United States at the intersection of art, justice and cultural equity. Jun 5, 2019 - Favianna Rodriguez is an interdisciplinary contemporary artist, cultural strategist, and social justice activist on a mission to create profound and lasting social change in the world. They’ve created a culture. Because even though it sounds easy, it’s actually not easy. You know, like when I do projects on factory farming and on fossil fuels, like I really try to think about: What perspectives am I sharing here? Pictured: CultureStrike at the People’s Climate March in 2014. This is also why we need artists with first-hand, lived experience. I believe all art is coming from a point of view, and we’ve grown up in a world where overwhelmingly we are seeing the world through the perspective of white men and we’re seeing their art and their gain. Like they’re not necessarily participating in the sort of dialogue that’s happening around them. A Bay Area native, she received a master's in journalism from Columbia University. But it has to speak to their emotional heart. you have a good project, if some of these issues are not in the news cycle it might get picked up by some random art people but it doesn’t really move in the way that it needs to move. The character on the right is wearing a hijab, a tribute to one of Rodriguez’s close friends. I created an exercise with my organization. That to me is what needs to happen more. Favianna Rodriguez: The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. It’s like a very, very old practice. So, I think in general it’s a metaphor that’s been out there. SD: Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? I’ve been waiting about a year for this show and it's finally here! (Anda Chu/Bay Area News Group), Oakland artist and organizer Favianna Rodriguez poses for a photograph at her studio in Oakland, Calif., on Thursday, Nov. 1, 2018. SD: You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? We want this story to go far and wide! Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. Favianna Rodriguez is an interdisciplinary artist, cultural strategist, and social justice activist based in Oakland, California. Was that a conscious decision? We’re trying to activate culture which is different than activating legislative or policy change. So, I do believe that as artists we do need autonomy to do our wild crazy ideas. And it’s also about creating something to note and to reflect your existence. It’s a straight up fabrication that we need more money for the wall. Jun 30, 2016. And frankly, you could only understand that if you are watching it or if you’re engaging in it. Like: My role as an artist is to work with a movement and do this sort of work? Creating artwork on a national platform was a pivotal moment of visibility for her, she said, because people of color are often left out of critical cultural moments. Yes, culture is a set of behaviors and ideas and beliefs. SD: Right, right, it goes back to that sort of emotional knowledge as opposed to just information. They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. I always want to create opportunities for people to engage with the work in a way where they’re also embodying it. So I’ve had projects where the timing hasn’t been right or I’m just not tapping into the moment. How unique is the name Favianna? Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. I also don’t believe art is neutral. So, as a woman of color I make art because I don’t see my existence reflected back to me in mainstream culture, I see whiteness reflected back to me. That they kind of have some pride in creating it, but also that it’s a fun and memorable experience. FR: I follow the news, I follow social media, I see what people are talking about. I also created make-your-own butterfly kits. Art is the language of the future, and through art we can actually create the vision of the world we want to see…To document how you’re experiencing life in a way that may not be scientific or is more about myth-making and storytelling, that to me is art. Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as the central tool of their activism. The piece is dedicated to my loving father, Gustavo Rodriguez, who passed away June 1, 2016 after a short battle with prostate cancer. There’s always fruit, and that’s the thing that, I trust artists. So, at CultureStrike we believe in it so much that any time we have any kind of collaboration with an organization, we basically do a pop up studio thing. And what I find is that doing something that reflects their values or their lived experience. Glenn Robinson #FaviannaRodriquez, #IamOther, Favianna Rodriguez, immigration, migration is beautiful Meet powerhouse artist/activist Favianna Rodriguez — a leading voice in the movement of artists raising awareness about U.S. immigration issues. The company also announced it is donating $25,000 to each of four organizations working to support people of color: Color of Change, Honor the Earth, Neta and the Women’s March. Art is the space of ideas and myth-making and culture-making — it’s a component of social justice, that social justice will only happen when you have activation in the political space, in the cultural space, and in the economic space. But what matters is the idea. They were extremely moved, and they were also shocked. A longtime friend of the Museum, Rodriguez is the cofounder of the EastSide Arts Alliance and Cultural Center as well as CultureStrike, a national network of socially engaged artists. Post was not sent - check your email addresses! And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? First, I look at what the impact on the people who experienced the art was. The event will take place at the Elson S. Floyd Cultural Center from 5:30 – 7 p.m. The White House couldn’t immediately be reached for comment Thursday morning. Artist, cultural organizer, and social justice activist Favianna Rodriguez will provide a keynote address at the WSU Pullman campus on Tuesday, March 31. And the other things is that I wanted to sort of speak from a place of being affirmative and visionary and even futuristic, or naturalistic, using nature as a way to story-tell. 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