the shakespeare code cast

She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. The Doctor explains the Carrionites produce their "magic" through an ancient science based on the power of words. This alerts the witches, who say it's too soon for their spell. Martha scorns this explanation by saying 'The film?' Conspiracy, History / 5 Comments Imagine a country where many people have become convinced that much of what we know about William Shakespeare is wrong. Gareth Roberts "The Shakespeare Code", along with "Smith and Jones" and "Gridlock" was released on a DVD on 21 May 2007. He tells for the Doctor not to ask him where he gets his ideas, but upon seeing Martha enter, he stops dead and then suddenly changes his tune, welcoming the two travellers into the room. Martha defends herself by stating that she's only just started believing in time travel. a shot of one of the wooden beams has 'Bay J' printed on it. Sometimes reality exceeds fiction. Contrary to common belief, season 10 kicked off in the last week of December 1972 — not in 1973, as would be expected. She also suggests that stepping on a butterfly might change the future of the human race, an idea that originates in Ray Bradbury's 1952 short story A Sound of Thunder. There is a running joke throughout the episode in which the Doctor creates an apparent ontological paradox by inspiring Shakespeare to borrow phrases that the Doctor quotes from his plays. Lilith was named after a storm demon in Mesopotamian mythology who is also mentioned in Judeo-Christian tradition. Series 3, Episode 2 Lynley collapses on the ground dead. Carrionites Freedonia was the name of a planet in, The Doctor uses the title of "Sir Doctor of TARDIS". Advertisement. Stage Fright The Doctor jokes, "London never changes". Martha tells the Doctor he shouldn't meet his heroes. The special effects on the episode were done by The Mill, who have created the special effects on all Doctor Who episodes since its return in 2005. . The Carrionites' contribution to Love's Labour's Won includes a reference to "Dravidian shores"; a "Dravidians starship" is mentioned in The Brain of Morbius (1976). Report Broken Documentary. Lilith promises to kill the Doctor as the bells ring outside. At one point, Martha says "It's all a bit Harry Potter", which prompts the Doctor to claim that he has read the final book in the series (which would not be released until three months after the episode was aired; the Doctor refers to it as "Book 7" because the title had not been made public at the time of filming). The Doctor goes on about how much he admires Shakespeare's genius. Shakespeare, Elizabeth I She confirms the Doctor's suspicions: the three Carrionites hope to gain entry for the rest of their species, eliminate the humans, begin a new empire on Earth and spread out from there. This article is an index of characters appearing in the plays of William Shakespeare whose names begin with the letters A to K. Characters with names beginning with the letters L to Z may be found here.. The scene in which the Doctor and Martha share a room was originally written to have the Doctor casually undress down to his underwear; and still obliviously invite Martha to share the bed. 1 Biology 2 Technology 3 History 4 Other references 5 Behind the scenes The true form of a Carrionite resembled a giant skeletal raven or crow. The Doctor previously encountered the Carrionites in his, Shakespeare has previously appeared as a young boy in. One shot of the Doctor and Martha looking at the Globe Theatre was changed between the Series Three preview at the end of "The Runaway Bride" and the final episode; the edge of the Globe Theatre has been replaced with a CGI shot of a village and the distant theatre itself. The character Kempe is William Kempe, a highly regarded comic actor of the era, who was a member of the Lord Chamberlain's Men along with Shakespeare and Richard Burbage. Martha assumes that this explains why Love's Labour's Won was never shown and is quite disappointed by the lack of mystery. The episode was Gareth Roberts' first writing credit proper on the show, however he had written for Doctor Who many times before. In the first shot, she's stroking his hair behind his ear, in the next shot, she is touching his sideburn, and her fingers shift to behind his ear again in the following shot. "I'm going for real," Shakespheare quips. In the cell, the Doctor uses his telepathy to help Peter think that all the horrible things that happened to him were nothing more than an illusion, calming the man and making him aware of their presence. Volgens de BARB cijfers deze aflevering werd gezien door 7.230.000 kijkers en was de vijfde meest populaire uitgezonden op de Britse televisie in die week. Among the facts that the Doctor lists are that it's not really a globe, but a tetra-decagon; it's also brand new and recently opened for the plays written by the great writer himself. By the time of production, however, the title had been changed to "Theatre of Doom", according to David Tennant's video diary shot during production and included as a bonus feature of the Series 3 DVD set. Shakespeare follows after him after giving his actors the final draft of his play. After making a joke about his eventual balding, the Doctor goes on stage to try undoing the damage but finds only Shakespeare can. It was rewritten as the producers and Tennant thought it would be inappropriate. Taken from the episode "The Shakespeare Code. The vast amount of CGI work required was mainly for the climax of the episode. How they managed to get back is quickly figured out by Martha and the Doctor; when Shakespeare was grieving for his son, he wrote something in a play that allowed them access to Earth. The Shakespeare Programming Language (SPL) is an esoteric programming language designed by Jon Åslund and Karl Hasselström. In addition, the Doctor finds a skull in Shakespeare's prop store that reminds him of the Sycorax race from "The Christmas Invasion" (2005); when the Doctor mentions the name "Sycorax" to Shakespeare, Shakespeare says that he will use the name (the joke is that the name in fact derives from Caliban's mother in Shakespeare's play The Tempest.). There, he wonders why the theatre is tetradecagal. The Doctor finds the three "witches" trapped, screaming in their own crystal ball. He found the plot "straightforward", but still said it was entertaining with a good performance by Kelly. "[4], The name of the Carrionites derives from screenwriter Gareth Roberts' own New Adventures novel, Zamper (1995), which refers to a slug-like race known as "arrionites". Inside the inn, they wonder about Lynley's murder, but Shakespeare is equally confused by Martha's training as a doctor, wondering what kind of land Freedonia is. By uttering the name Carrionite the Doctor is able to repel her. Under threat of annihilation from a species from the Dark Times, the TARDIS team have to establish whether there is a connection between a witch they've met and Shakespeare's Love's Labour's Won — a play that was legendarily lost to time. A cryptographic discovery that may change western history. "Doctor Who" The Shakespeare Code (TV Episode 2007) Christina Cole as Lilith For Martha's first trip in the Tardis, the Doctor takes her back in time, to Elizabethan England. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. Lilith tries to do the same to the Doctor, but fails, as her psychic power is unable to uncover his real name. He asks Shakespeare why the Globe was designed like this. Dolly informs the Doctor and Martha that she's prepared a room for them. Amused, Bloodtide tells her sister that no-one that can stop them now; humanity will doom itself. Shakespeare's Sonnet 57 is one of those believed to be written to a man, and contains lines referring to time, "I have no precious time at all to spend,/ Nor services to do, till you require./ Nor dare I chide the world-without-end hour/ Whilst I, my sovereign, watch the clock for you.". Both hearts stopped in the previous episode. Their despatching of Peter Streete was at one point envisioned as being much more complex, with Streete being sucked down into his bed. [11][12], Apart from Newport Indoor Market, where the scenes at Bedlam, as the Bethlem Royal Hospital was known as then, were recreated in the basement, the remainder of the shoot took place in Upper Boat Studios, for the scenes set in the Elephant Inn, sections of Globe Theatre material, and the TARDIS scenes.[8]. In the room is Lilith, disguised as a maid. The actors rehearse, with the lead actor reading what he thinks is gibberish; he guesses Will was dozing off as he wrote it. Shakespeare referred to Martha as the "Dark Lady," the mysterious subject (though perhaps allegorical) of many of his sonnets. in her honour, but is interrupted when two of his actors burst in. Finally, the Bard also appears in the Doctor Who Magazine Ninth Doctor comic A Groatsworth of Wit (also written by Gareth Roberts). The Doctor tells Shakespeare that only he can find the words to close the portal. Director: Writer: [8], Production then went on a week of location night shoots, beginning in Coventry, including Ford's Hospital, for one night,[9][10] before moving to the Lord Leycester Hospital at Warwick. Murray Gold Next → Lilith shows her true face, scaring Dolly with a snarl. The Doctor thinks he's heard of something before that involves the number 14, but can't seem to remember it. They all cackle in glee as a spirit appears to the actors before they can finish reading the spell. Main setting: The Doctor claims Martha comes from Freedonia, a fictional country in the Marx Brothers film Duck Soup - it was also used as the name of a planet in the Doctor Who novel Warmonger (2002) by Terrance Dicks. Follow code-breaker Petter Amundsen and historian Dr. Robert Crumpton as they investigate the secrets buried in William Shakespeare 's first folio and decipher a coded map that may lead to one of history's greatest treasures. It fades away, making them decide to keep it a secret. Examples of this include the Doctor telling Shakespeare that "all the world's a stage" (from As You Like It) and "the play's the thing" (from Hamlet), as well as the name Sycorax from The Tempest. By genre: Frowning, the Doctor moans in disappointment. Producer: Shakespeare then announces there will soon be a sequel, Love's Labour's Won; it will answer the questions Lost left behind. Rating: 7.31 /10 based on 16 votes cast. Doctor Who television stories When Lilith is attempting to charm the Doctor, she strokes his face. The carrionites attack and make their plans known to The Doctor. Martha attempts CPR but is shocked to find Lynley's lungs full of water. Similar programmes. Martha defends herself by saying that in Freedonia, women can have any profession they want. This is a reference to the enigmatic female character in Shakespeare's Sonnets, although Sonnet 18 is in fact one of those addressed to a male character, the Fair Youth. They walk around the town and the Doctor says Elizabethan England is far more like the 21st century than Martha might think. However, Lilith tells them it's just a preview of what's to come that night. The Doctor then gives Shakespeare his "All the world's a stage" line before retiring for the night. It was rewritten as the producers and. She decides to introduce her suitor to her two "mothers", Mother Doomfinger and Mother Bloodtide. Some of the expense was quickly rationalised by BBC Wales, however. The Doctor quotes the line, "Rage, rage against the dying of the light," from "Do not go gentle into that good night" by Dylan Thomas — but warns Shakespeare he cannot use it as it is "somebody else's". The Tenth Doctor takes her to 1599 England. Her name is not even said by Bloodtide, Doomfinger or Lilith herself. Historically, a reference to Love's Labour's Won (in Francis Meres's Palladis Tamia, Wits Treasury, 1598) predates the construction of the Globe Theatre (1599). However, at the Globe, the actors have reached the end of the play. Story number: This shocks the Doctor as he has yet to meet her, but comments that he is looking forward to finding out what he will do to offend her. Insulted, Lynley declares that this slight means he will ensure the play will never be performed, even if it's the last thing he does; he will return to his office for a banning order. The Doctor wonders which house they need to go to, finding a door opening itself; "Make that witch house.". The Doctor walks out of the prop room, carrying a skull, which he states reminds him of a Sycorax; Shakespeare states he'll take that word from him as well. It was broadcast on BBC One on 7 April 2007. The Doctor enters and Shakespeare tells him to leave, thinking him a fan who wants an autograph or a portrait done with him. Among non-TV material, Shakespeare features in the Virgin Missing Adventures novels The Empire of Glass and The Plotters, and in the Big Finish Productions audio drama The Kingmaker. In an early scene a sign is glimpsed for an inn named "The Elephant". One of the Doctor's hearts stops temporarily. Recognising the signs, the actors excuse themselves; to them, it looks like Shakespeare has found a new muse. [1] According to the BARB figures this episode was seen by 7.23 million viewers and was the fifth most popular broadcast on British television in that week. Yes the film!'. On the Doctor's order, Streete reveals that witches spoke to him and made him design the Globe to their design, not his own; once he had served his usefulness, they snapped his wits to keep him quiet about their plans. When they find William Shakespeare with a lost play,… Shakespeare's head still hurts, so the Doctor hands him the stereotypical Shakespeare collar to use as a neck brace. Martha questions when they are, but the Doctor quickly pulls her back, keeping her from being struck by the contents of a chamber pot. Original theme music by Ron Grainer  [6], There are several references to races from earlier Doctor Who episodes. BBC One Het werd uitgezonden op BBC One op 7 april 2007. Season 10 actually began nine years after season 1 started. The Doctor gives a disgruntled Martha mixed signals by casually sharing the bed with her only to show no interest, then dismissing the idea that a mere human could be channelling the psychic energy and bemoaning the lack of Rose's insight. However, the Doctor turns out to be wrong about the consistency of the Bard's genius when he asks the audience to shut their "big fat mouths". When questioned as to the whereabouts of Peter Streete, Shakespeare says that he was admitted to Bedlam. The Shakespeare Code: Concept Art and Graphics. The Queen declares, "Off with his head!". The Doctor tells him to stop rubbing it or he'll go bald. Format: In the episode, the alien time traveller the Doctor (David Tennant) takes his new travelling companion Martha Jones (Freema Agyeman) in her first trip in time and space. When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll … Just before the Doctor steps out of the TARDIS, he exclaims "Brave new world", from Act V Scene I of The Tempest. However, upon entering the home, he is shocked to find it full of horrifying witching artefacts — not what he would expect a beautiful girl to have in her home. ‘Gyves’ = ‘constraints’. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.) Tenth Doctor And nobody knows that better than Shakespeare. The scene in which the Doctor and Martha share a room was originally written to have the Doctor casually undress down to his underwear; and still obliviously invite Martha to share the bed. Lilith notes the Doctor was at the inn with Shakespeare and smells of something new. Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom. The Doctor tells her that when she gets home, she can tell everyone she's seen Shakespeare. Companion(s): The Doctor decides that is their next stop. "The Shakespeare Code" is the second episode of the third series of the revived British science fiction television series Doctor Who. Upon trying to pass himself off as "Sir Doctor of TARDIS" via the psychic paper, the Doctor is shocked to find that Shakespeare sees it as blank. At the Globe, Love's Labour's Lost is on. More behind the scenes stuff Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment. 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